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My October Reflections, part 1


We Are Here Because You Went There: Reframing Filipino American History Month Through Empire, Resistance, and the Politics of Memory


Filipino American History Month (FAHM), officially commemorated in October, anchors its origin story in the 1587 landing of Luzones Indios in Morro Bay, California. While this maritime moment is often celebrated as the beginning of Filipino presence in the continental United States, it lacks historical continuity and risks romanticizing colonial violence. As Filipino Americans deepen their kamalayang pangkasaysayan (historical consciousness), it becomes imperative to reframe FAHM around May—a month that marks not only the birth of U.S. empire in the Philippines, but also the beginning of a long arc of resistance, betrayal, and diaspora.


October’s Disputed Terrain: Between Columbus and Indigenous Peoples


The choice of October for FAHM places it in direct proximity to one of the most contested commemorations in the United States: Columbus Day. Long celebrated as a symbol of “discovery,” Columbus Day has come under fire for glorifying conquest, genocide, and the erasure of Indigenous peoples. In response, many communities now observe Indigenous Peoples’ Day—a counter-memory movement that honors Native resistance and survival.

This tension between colonial celebration and Indigenous remembrance mirrors the dilemma of Filipino American history itself. To anchor FAHM in October, tethered to a fleeting 1587 landing under Spanish command, risks aligning Filipino memory with the very logic of imperial arrival. It echoes the myth of discovery rather than the truth of displacement. It situates Filipino Americans as passive participants in colonial history rather than active agents of resistance and survival.


From Manila Bay to Morro Bay: The True Genesis of Filipino American History


The more historically coherent origin of Filipino American history begins not in Morro Bay but in Manila Bay. On May 1, 1898, the U.S. Navy launched its imperial conquest of the Philippines, defeating the Spanish fleet and initiating a new era of colonization. This was not liberation—it was choreography. The Mock Battle of Manila on August 13, 1898, staged between Spanish and American forces, deliberately excluded Filipino revolutionaries who had already surrounded the city. It was a performance of conquest, designed to transfer colonial power from one empire to another without acknowledging Filipino agency.


The Treaty of Paris, signed on December 10, 1898, and ratified on February 6, 1899, formalized the sale of the Philippines to the United States for $20 million. But even before its ratification, on January 21, 1899, the First Philippine Republic declared independence. Just two weeks later, on February 4, 1899, the Philippine-American War erupted—triggered by a shot fired in the dark by an American soldier. What followed was a brutal campaign of suppression, torture, and racialized violence that claimed hundreds of thousands of Filipino lives.


This is the true beginning of Filipino American history—not a maritime footnote in 1587, but a sustained encounter with empire that forced migration, shaped identity, and seeded resistance. We are here, because you went there.


Rizal’s Witness: Racism, Democracy, and the American Contradiction


José Rizal’s 1888 visit to the United States foreshadowed this imperial entanglement. Traveling across the country in April and May, Rizal observed the contradictions of American democracy. He was disturbed by the treatment of Black Americans and Indigenous peoples, noting that “America is the land of freedom—but only for whites.” His reflections expose the racial foundations of U.S. society—foundations that would later justify the colonization of the Philippines under the guise of “benevolent assimilation.”


In the era of Trumpism and MAGA, Rizal’s warnings remain painfully relevant. Anti-immigrant rhetoric, racial scapegoating, and the resurgence of white nationalism echo the same logic that denied Filipino sovereignty in 1898. The Filipino American experience—marked by exclusion, labor exploitation, and cultural erasure—is not an accident of history. It is the legacy of conquest.


Why May Matters: Mourning, Mobilization, and Memory


Celebrating FAHM in May is not just a calendrical correction—it is a political intervention. May marks the beginning of U.S. empire in the Philippines, the month of Rizal’s American journey, and the season of imperial betrayal. It invites us to mourn the silenced victories and mobilize against ongoing erasure. It aligns with Asian American and Pacific Islander Heritage Month, allowing Filipino Americans to assert both solidarity and specificity within broader coalitions.


It also centers kapwa nationalism—a diasporic ethic rooted in shared identity, historical consciousness, and collective liberation. In the face of MAGA-era exclusion, May becomes a month of radical belonging, where Filipino Americans assert their place not as perpetual foreigners but as co-authors of American history.


Conclusion: From Myth to Memory, From October to May


Filipino American History Month deserves a foundation rooted in truth, resistance, and relational memory. October’s maritime myth, while symbolically evocative, lacks the coherence and continuity necessary for meaningful commemoration. Worse, it risks being overshadowed by the imperial legacy of Columbus Day, even as Indigenous Peoples’ Day fights to reclaim October as a space of decolonial remembrance.


May, anchored in the birth of U.S. empire, Rizal’s witness, and the Filipino struggle for sovereignty, offers a more accurate and activist framework—one that honors the complexity of Filipino American identity and the enduring fight for justice.


We are here, because you went there. And we remember, resist, and reframe—together.


Check the next reflection... my tribute to FANHS


Facebook Series 10/2/2025

 

A Past Revisted, Connecting the Dots, part 22


My initial Martial Law anniversary (September 21,2025) Reflections


Kudos to the people who participated in the September 21 protests in the Philippines—coinciding with the anniversary of Ferdinand Marcos Sr.’s 1972 Martial Law declaration—can be described as courageous, vigilant, and historically conscious. Their presence in the streets was not just a reaction to current corruption scandals, but a deliberate act of remembrance and resistance, rooted in a long tradition of people power.


From the news reports, the people are:


• Students and youth activists: Leading the “Baha sa Luneta” rally, they invoked the legacy of campus resistance and demanded transparency, accountability, and the abolition A of pork barrel funds.


• Church leaders and civil society groups: Spearheading the “Trillion Peso March” at EDSA, they framed the protests as moral and spiritual calls for integrity in governance.


• Artists, celebrities, and cultural workers: Figures like Ben&Ben, Angel Aquino, and Noel Cabangon joined the mobilizations, blending art and advocacy to amplify public outrage.


• Regional communities: From Bohol to Cebu, thousands rallied in plazas and parks, lighting candles and singing songs of hope, turning remembrance into collective action.


What drives them?


• Historical memory: September 21 is not just a date—it’s a scar. Protesters invoked the trauma of Martial Law to critique present-day abuses, corruption, and impunity.


• Moral outrage: The rallies were sparked by revelations of ghost and substandard flood-control projects, with billions allegedly siphoned off. Protesters demanded asset disclosures and bank secrecy waivers from officials.


• Solidarity and bayanihan: Jeepney drivers offered free rides, churches opened their doors, and organizers coordinated across sectors. It was a choreography of resistance, echoing the spirit of EDSA.


How do they express themselves?


• Through chants like “Don’t steal our taxes!” and placards calling Marcos Jr. the “OG nepo-baby,” they fused satire with critique .


• Through prayerful marches, candlelight vigils, and songs of hope, they reclaimed public spaces as sites of memory and moral reckoning .


• Through visual protest, tarpaulins, and symbolic gestures—like gathering at the Rizal Monument—they connected past and present struggles.


In essence, these Filipinos are not just protesting—they are remembering, resisting, and reimagining the nation. Their actions embody kamalayang pangkasaysayan, transforming September 21 from a date of dictatorship into a day of defiant democracy.


I wish I could be among the thousands protesting in the Philippines today, just as I was present during Marcos’s declaration of Martial Law in 1972 and his ouster in the 1986 People Power Uprising.


I reflect on the significance of participating in demonstrations during pivotal moments in Philippine history, such as the people's protest movement before the declaration of Martial Law by President Marcos in September 1972 and his subsequent removal during the People Power Uprising in 1986.


It is notable that these events coincided with the Great Philippine Flood of July–August 1972, which stands as one of the country's most severe and prolonged flooding incidents, impacting much of Luzon and serving as a backdrop—both literally and symbolically—for the imposition of Martial Law.


The deluge was triggered by a succession of typhoons: Gloring (Typhoon Rita), Huaning, Isang, and Konsing.


• These storms brought intermittent torrential rains for nearly a month, overwhelming rivers, dikes, and flood control systems.


• PAGASA (then the Weather Bureau) declared it the heaviest rainfall since 1911.

 Thousands were stranded on rooftops for days, awaiting rescue.


• Food, drinking water, and medicine shortages plagued affected areas.


• Vehicles were submerged, and entire road systems were destroyed, paralyzing mobility and relief efforts.


Then-President Ferdinand Marcos Sr. personally visited flood-stricken areas and set up camp in Pangasinan to oversee relief operations.


• He later cited the floods as part of the rationale for declaring a state of emergency, which preceded the Martial Law proclamation on September 21, 1972.


The flood was not just a natural disaster—it became a metaphor for national crisis, used to justify authoritarian control. The waters that submerged Luzon also obscured civil liberties, as the regime moved swiftly from emergency relief to emergency rule.


What I find coincidence is hearing the gospel at St Patrick's Church in San Francisco. We were reminded by Fr. Ted that September 21 is celebrated as the Feast Day of Saint Matthew, one of the twelve apostles of Jesus and the author of the Gospel according to Matthew.


Originally a tax collector named Levi, he was called by Jesus with the words “Follow me,” and he left everything to become a disciple. His transformation from a collaborator with Roman authorities to a herald of Christ’s teachings is seen as a powerful symbol of redemption and vocation.


This is my reflections of the September 21st events in the Philippines.

 

A Past Revisited, Connecting the Dots, part 21


The Land Marking of the Mint Mall and Hall and Remembering Bulletx Marasigan

On September 3,2025, the San Francisco Historic Preservation Commission unanimously voted to recommend that the Board of Supervisors designate the Mint Mall and Hall at 951-957 Mission Street as an individual Article 10 Landmark in accordance with section 1004.2 of the planning code.


The Mint Mall (basement, ground floor, and mezzanine) and Hall (upper residential floors) are identified as culturally significant and have a notable population of Filipino residents. Situated within SoMa Pilipinas, which is officially recognized by both the City and State as the Filipino Cultural Heritage District, the property has housed various Filipino cultural and arts organizations, community-serving non-profits, and small businesses throughout its history. It is a site associated with intangible cultural heritage.


The landmarking initiative was led by SoMCan (SoMa Action Network) and SoMa Pilipinas, with support from both current and former tenants of the Mint Mall and Hall who delivered statements and shared testimonies regarding the location's significance.


During my opportunity to address the Commissioners, I reflected on Bulletx Marasigan, an esteemed friend. Drawing upon her narrative, I presented the following:

There is a meaningful account that encapsulates the importance of the Mint Mall and Hall within SoMa Pilipinas.


In 1990, the United States Congress enacted the Immigration Act, which included a provision permitting Filipino World War II veterans who had served under U.S. command to apply for U.S. citizenship, regardless of their residence in the Philippines.


This provision represented a notable departure from standard immigration law, which generally required applicants to reside in the United States to qualify for naturalization. The waiver was intended to recognize the veterans’ military service and to serve as a corrective measure following the Rescission Act of 1946, which had previously revoked their U.S. veteran status and associated benefits.


Following the announcement of this special provision, many families of World War II veterans arranged for their elderly relatives to travel to the United States to take advantage of this unique opportunity. A significant number of these veterans settled in the South of Market area in San Francisco.


A veteran once arrived at San Francisco International Airport without any friends or relatives to greet him. Disoriented from his journey and unfamiliar with his surroundings, he opted to remain at the airport. As the crowds passed by, he rested on a couch in the waiting area. After several hours, two airport employees approached and inquired about his destination. The gentleman explained that he was a World War II veteran seeking to begin a new life in America, though he admitted to knowing no one in the country. The staff members, both of Filipino descent, were able to converse with him in his native language.


Recognizing that it was getting late and that overnight stays were not permitted at the airport, they advised him to take a SamTrans bus to downtown San Francisco, specifically South of Market, where he could potentially connect with fellow Filipinos for assistance.


They escorted him onto the SamTrans bus, providing the driver with instructions to let him off at 5th and Mission Street. He was then directed to proceed toward Mint Mall, located just past the Chronicle building. Upon arrival, he introduced himself to the Filipinos gathered at the entrance as a World War II veteran. The community, moved by his story, brought him to a residence shared by four other veterans. Despite being strangers, his fellow veterans welcomed him warmly, inviting him to live with them in their modest accommodation at Mint Hall.


This narrative illustrates the Filipino value of Kapwa, which can be translated as a sense of shared identity and interconnectedness among individuals.


Designating the Mint Mall and Hall as landmarks symbolizes the authentic embodiment of Filipino virtues such as Kapwa (shared identity), bayanihan (collective community effort), and malasakit (compassion and concern for others) for current and future generations.


During the public hearing, I did not disclose that Mint Hall’s veteran narrative was originally shared in the recorded interview of Bulletx Marasigan conducted by the Wildflower Institute’s Studies 2000 Project. The Wildflower Institute’s Studies 2000 played a significant role in helping our community identify cultural patterns and articulate ethical virtues and values. In the interview, Bulletx described the veteran's journey from the airport to Mint Hall to illustrate the concept of kapwa.


Bulletx and I collaborated on various non-profit initiatives in San Francisco. We both served as staff members for the Pilipino Early Intervention Program, the West Bay Pilipino Multi-Service Center in San Francisco, and the Pilipino Bayanihan Resource Center (PBRC) in Daly City. While at West Bay, with our office located in Mint Mall, we developed the philosophy “Kapwa Natin, Pananagutan Natin,” which translates to “Our Community, Our

Responsibility,” as a guiding principle for our programs and services.


Congratulations to our community! Kudos to SoMCan and SoMa Pilipinas! Mabuhay!


Posted: Facebook Series 9/3/2025


 

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